Techniques Screenplay Writing PART 1

Techniques Screenplay Writing Fiction
The meaning of fiction itself is a work of literature that reveals the reality of life in order to develop the imagination.
There are two kinds of fiction:
A. Imaginative fiction ---> based on imagination2. Science fiction ---> based on scientific analysis
* Nature of fiction- Anything that can not be verified is expressed in daily life, is speculative (not engineering know).
- All the characters, setting and subject matter is imaginative rather than objective reality.
- Truth is going on in fiction is not the objective truth, but truth is the truth that there are logical in reasoning.
- other people who live in the reality of everyday involved in all aspects of the life of fictional characterizations are able to influence and shape the nature and attitudes of readers, listeners, viewers.
- Truth logical cause any fiction fiction is always multy interpretable, which means that any readers, listeners, viewers have a commentary.
* Intrinsic element of fiction:A. Theme: an issue that animates the whole story. The theme is lifted from the conflict of life.
2. Plot: the basic story: the development of the story.
3. Plot: a series of storiesIn line connection can figure that the meeting focused on a single character, or characters that walk masing2 tenuous.Flow processes can be developed; backward, or forward and backward.Chronology of settlement there is no plot line and anti-climactic climax.
4. Setting: the scene of the story, divided into:- Geographical setting ----> the place where the incident took place- Setting anthropological ----> events related to the situation, psychological mindset, customs and traditions.
5. Characterizations character is described as the main character (protagonist), a character who opposed (antagonistic), or auxiliary character - but this is not the PRT
some people give a present can figure how to do directly with the description, describes the personal character, or indirectly by way of dialogue between characters.in fields figures should be drawn:- The field looks: gesture, expression, clothing, personal possessions, etc.- The field is not visible: the motive of the drive / desire, psychic form of psychological changes, feelings, and religiosity.

6. Point of view: the underlying theme and purpose of writing
Penghadiran able to:
- The first person ---> author as one of the characters involved
- Third-person style ---> author department to know what happened but was not involved in the story.

7. Atmosphere: The underlying story is the atmosphere of the characterizations due to differences in character, giving rise to conflict. Authors dealing with the conflict with the atmosphere of sad, poignant, challenging, fun, or inspiring.

All these points should be presented in full, so whether it be fiction short stories, novels, plays, film scenarios / soap opera so that readers, listeners, viewers have the imaginative power; have a commentary about the character, atmosphere, etc., to the work of fiction.

Do not forget: theme, plot, plot, and setting should also be clear that a work of fiction benar2 intact as a work of art is not a mere outpouring of the heart (like a diary).