Types of Fiction II Film Scenario
Character-driven
As the name suggests, character-driven scenarios using the characters in it to drive the story. For this type, thus the importance of the characters in the scenario that can not be replaced with another character. Unlike the plot-driven scenario for the events where the event came up to the main characters for the sake of storytelling, even the existence of a character that will bring the events. Each character (especially the main character) is appropriate to have a very detailed description, which will become a reference for the occurrence of events, one after another.
If not 100% understand, let's try to create a character that is very detailed:
Anto is a 30-year-old man, scorpio zodiac, homosexuality, love cooking, never going out with a woman once, and thereafter was always going out with other men. He has a phobia against women. Now he is dating Aryo, co-workers. Anto indulgence food is chicken cordon bleu, while the favorite beverage is coffee brewed. Her work is a parking in one of the supermarket. Broadly speaking, Anto sanguinis are melancholy, introverted, and open only to those closest. ff. ff.
These characters will be in vain if we are to make the plot a brutal alien attack, and make Anto died in the attack. Perhaps in these scenes the audience will only get information that there was a man kemayu that scream "help!" before he was shot dead by an alien.
Anto character of the above information, we can make a long film scenario, because the character has been brought before the conflict we need to invent. We can imagine Anto action as a parking dilemma that has to hide his attraction to the same sex, because there has never been a parking gay history is not it? The fact that he was afraid women will also invite a separate plot for supermarket customers mostly women. Anto as the main character will be the axis of development scenarios, and this is a character-driven scenario.
Many people who say that writing ability is a talent. But that does not really write that talent-bakatan?
Muhammad Julius (Iyus)-editor of teen magazine Annida - immediately denied. "What should be done first before writing the same thing is do not believe in talent, because talent is not the revelation of God to men who have been chosen. So everybody has the right to be a writer. "
According Iyus, basically writing, as one of the profession, is the choice of people who want menggelutinya. Writing is not completely finished, the process needed to be able, proficient and professional. To be a writer takes a requirement, one of the most important prerequisite is resilient. First of all our paper may be rejected, for it need to practice constantly. Furthermore, according to Iyus, we need to do benchmarking (comparing with the work of others who have both) so that in time we'll find our own style.
Hardiness-related conditions, in order to be a reliable writer, Joni Ariadinata is exemplary in this figure. Talent in the world to write about Kang Joni did not fully believe.
"Talent is only a small fraction, which is important to learn exactly how our efforts and sincere in the writing profession," says Kang Joni. Mention natural talent Kang Joni said, "There is, as a child had a tendency to like to write, but it is still cultivated by the family, the environment. But without talent can really. "
Joni said Kang never feel desperate times have also published short stories a year, and had thought about quitting. After hundreds of stories submitted and none are loaded, at the point of frustration've decided to stop being a writer and hate writing. But then there is a loaded one and makes the spirit again. And write again, but six months later no longer loaded. At the time of frustration both in the short story turned out to fit on the Compass, and instantly become a champion.
"Work of authorship could not be separated from the effort, it should be ready to face penatnya sitting at a computer all day, straightened up to strike out the sentences that have been prepared for weeks to be replaced with a more effective and striking," commented Ms. Yasmina Fajri Dian-ex Annida magazine editor in chief.
Opinion Mohammed Julius, Joni Ariadinata and Dian Yasmina Fajri can be found in the book "Annida, Sakti Book Writing Fiction". A book intended as a handbook for anyone who wants to start and explore the world of writing. Is a step by step guide how to become a powerful writer of fiction. This book discusses everything from talent, writing constraints, we are marketing a work of fiction, magazine and publisher addresses, to how to create and offer it into the screenplay.
Iyus in this book illustrate the talent, that talent = great effort. This is done by a Linus Suryadi AG, poet Yogya one of his works, prose literature Recognition Pariyem internationally known universe. Before Recognition Pariyem born, Linus is experienced persistent rejection and feelings of failure to interfere. Long before he decided to become a writer Linus felt I had no talent. Ayip columnist Bakr had also rejected the editor up to 20 times. Only in writing to-21, his writings published. Talent = imagination, is Budi Darma, Olenka novelist, said that all that is written in his books is a copy-paste of the imagination are very sensitive to the events he sees every day. His mind often chased the weird imagination. Budi Darma short stories collected in Bloomington People and Olenka novel contains stories that come from his imagination. Talent = prestige, this is the case in Utuy Tatang Sontai. Utuy feel insulted by a neighbor girl who could be a high school while he had not completed Park Adult (junior high). To maintain the prestige he wrote in the paper Pasundan rays. Utuy continue to write simply in order not to feel insulted by her neighbors. He never thought that his decision would make him famous as a great poet in the literary treasures of Indonesia.
Furthermore this book leads us to create a barrier so the bridge. Internal barriers to daiatasi a way, first by setting a good faith determination, not much hope of getting contaminated by fees or royalties. So it takes a straight intention and determination. Second, my eyes are not failing, fear of being wrong, my eyes humiliated, scared or afraid of his work can not be restored as good as anyone else. Third, be confident. By believing that whatever style of writing as we are always able to display things that are useful to others. Fourth, do not be lazy, because lazy is the main factor ketidakproduktifan someone. Fifth, be willing to learn. Being a writer does not have talent, that is needed is a lot of reading, learning from senior writers, learn to write simple things, and learn to observe the environment. Sixth, do not procrastinate, put off writing because it could be a big obstacle for a writer. Should be recorded directly didpat idea, immediately write down the imagination or typed. Do not ignore the inspiration, because when it's missing is likely to be difficult to call him back even forget altogether.
Difficulties in terms of writing techniques should also be eliminated. First, the idea stuck can be solved by writing a personal experience, the experience of others, the news media, books, history, the universe, a dream, and various other phenomena. Second, it is difficult to start, can be overcome by providing up in order to absorb inspiration from anywhere and at any time. Trouble started, according to letikan Arswendo is what makes one writer was intrigued. Third, loss of direction or Ngalor ngidul can be overcome by making a written plan for each of the subject matter does not escape at will. Frank Bannet, American writer, pointed out how as-follows: 1) the characters confronted with one or more issues to be resolved. 2) create a logical solution of the problem. 3) create a cover story. 4) write an opening paragraph or two that interest. 5) and then stacking the plot, the setting up scenes and incidents in a way the character's resolve maslahnya. The various plots of the blast plot (ending with an unexpected surprise), the plot of soft (end of the story like a whisper or low expression), plot a soft burst (a mixture of soft and explosions), the plot is open (the reader is stimulated to develop the story by thinking of each ), or the plot is closed (the end of the story does not stimulate the reader to not continue the storyline). Fourth, the difficulty to build conflict and suspense. Story without conflict is like vegetables without seasoning. The story must contain conflict. Difference between the character and interests of others, nature, bitang, or his own mind could be a conflict. Conflict over the conflict is called suspense or tension. The story becomes more exciting with the tension. Fifth, it can not end the writing, too overcome by making essay plans. End of story should be finished by giving the impression that, so that the reader feels the story will not be any conflict anymore. Can be a happy ending (happy ending) or tragic (sad ending), or ending a floating, adrift, so that the reader is left not satisfied as if there is another ending that should happen.
External barriers include lack of facilities and infrastructure to overcome the buoyant spirit and strong desire. Should dare to accept criticism, harsh or soft, considered as input. Which could not be completed manuscript often frustrating, then finish writing the effort and prayer (remember 1% talent and 99% is the help of God). If I'm bored; put an end to work, relax by sleeping, reading the works of great writers, or a breath of fresh air. Writing is not worth unloading, to look for reasons why his writings have been rejected, among others: the unpleasant appearance, do not pay attention to punctuation, not in accordance with the vision and mission of the media, story ideas are too often loaded, not according to circumstances and conditions, or have not mastered the technique writing (conflict, characterizations, setting the story, and not worked in an interesting ending. Finally do not think professional writers as madesu (bleak future). Because writing is a noble and a very effective means of propaganda.
This book also features writing tips written by Rahmadiayanti (Dee). The trick is in reading = power, Mengutif of Ismail Marahimin in Writing By Popular Dee writes that reading gives 'power within' that needed a writer. Copy the master, mimicking the famous author's work as an exercise in copying the frame, the idea, method or technique (as an exercise only). Starting from near and simple, like JK Rowling author of Harry Potter phenomenon, claiming the characters in his work inspired many of the people who have dala life. Diaries and korenpondensi, great for exercise. Inquiry and do not give up and finally Dee prescribe writing is writing is writing ....
Not to forget Helvy Tiana Rosa also share 10 tips to write in this book. First, the motivation to make the best (not just want his work published, or have the book). Second, diligently observe everything, because writing is like a photograph or painting, so need to watch it before pouring it into the post. Third, many read the book (in a week is always trying to read the three types of books, literature, general knowledge and Islamic books). Fourth, write an experienced dream last night, helping to source ideas. Fifth, have a small book to record what is being crossed. Sixth, often open a dictionary to explore language, diction, and so that will help enrich the text. Seventh, take advantage of past experience is not good. Eighth, a lot of talk and hang out with other writers. Ninth, do not hesitate to submit work. Tenth, continuous exercise. Practice makes perfect slogan applies not just for beginners but also for authors who have really become a writer.
Many more are contained in this book as about honing skills in the community of authorship; biological clock that you write your best guess; that success with his work (from Asma Nadia, Hilman 'Lupus' Hariwijaya, Barbara Cartlan, and JK Rowling), so the authors' jos 'with the ethos; through the awesomeness of the media; finished writing, come a great book; specify the type of writing and reader segments: the different types of writing; legends, fables and myths; fable that continues to hum; royali and calculation problems; about copyright; their work affects world; profile of a young writer (Christopher 'Eragon' Paolini, Eliza Vitri Handayani 'AreaX', Syamsa Eve 'VCD Girl', Adzimatinnur Siregar 'Cover Boy Lemot'); cut is not important; books were rewritten; editor beautify your work; world even acknowledge them, and last, literary awards, just for the dedicated.
This comprehensive book written to meet the curiosity of the reader on questions related to writing fiction. So it deserves to be read by the author or prospective author, young and old regardless of the language used is sometimes too meremaja. This is probably due to this book was probably intended for a young reader segment is keen to work in his fictional world.
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