AnimationCreating the illusion of moving techniques. Animation starts from the image. Then, with a particular technique (either manually or by computer), the image is made to move so as if something in it alive and animate. More detailed discussion here.
AnimeAnimated style that is rooted in Japanese comics.
BlockbusterThe film is a huge success financially. Typically in North America, said the blockbuster film that ticket sales exceeding 100 million USD since its release.
Box-OfficeTotal money raised from ticket sales moviegoers through a film.
CameoRole played briefly in the film of famous people, to raise a little selling value in the eyes of the audience story.
CastPeople who looked at in a piece of film.
CastingRecruitment movie player (who will appear on the screen when the film finished). This process is usually done by a special casting directors to consider the input from the Director, Producer and the Studio.
ClosureCertain observed phenomena but regarded it as part of a whole [by Scott McCloud]. For example, in one frame we see the legs of a figure, but our brains are sure the character has legs.
Deus ex MachinaTranslation is literally "god from machine". The term is born out of the theater is used in scientific and everyday to describe the intervention of "god" in a surprise change of an event. "God" is, in a work of fiction, it could be something or someone figures that suddenly appear and suddenly solve problems previously unsolved [Webster].
DramaturgyThe art or technique of dramatic composition and theatrical representation [Webster].
EkranisasiRather than a work vehicle (usually non audiovisual) to audiovisual works of film form. Opposite: Cerpenisasi, novelisasi, komikisasi, etc..
FeatureThe film is at least a duration of 40 minutes (involving two film reels, one reel / tape length movies 15-25 minutes), intended to be played in theaters. If the duration is less than that, we call it "short film".
Femme FataleIt literally means "woman's death". This term in a work of fiction to portray female characters are cold-blooded hero. He's lethal, usually for men.
FestivalIt literally means "party", whether it be a party books, comics or movies. Event of this kind usually used for good present of a film, exhibited, sold copyrighted comic book distributor, to relate, infinite possibilities. Some of the festival is non competitive, if for example in the field of film JiFFest (Jakarta International Film Festival), Pusan International Film Festival, and so on. Several others are competitive, such as the Festival Film Indonesia (Image), Festival du Cannes (Palm d'Or), Academy Award (Oscar), etc.. Decisive victory in a competitive festival that could be of the jury, audience, or a combination of both.
FictionSomething (especially the story) that was created from the imagination [Webster].
FTVShort Film Television. This is a feature film funded by the television station or network TV since the beginning intended to be aired on television, not cinema.
GenreSimply put it means kind of a work. Short story is one of the genre fiction, if we categorize the forms. Action, Thriller, Drama or even a genre, if we classify the content of the story. Thus, determining the genre relies heavily on the categorization (or elements) that we are talking about. It's also what we mean exactly the same, say about the story, the genre still is not something exact. That is, always open the opportunity for dissent. More detailed explanation here.
IconSimple imaging that are designed to resemble the subject [by Scott McCloud]. Such a smiley-face icon on the internet is a human.
ComicThe pictures and other symbols jukstaposition (contiguous) in a certain order, to convey information and / or achieve an aesthetic response from readers [by Scott McCloud].
MoviegoerAddicts or film audience [by John M. Echols and Hassan Shadily].
OnomatopeaWords that imitate sounds. For example, "stamps" (words to describe the sound broken plates), "bang" to describe the gun exploded, etc.. This technique is usually used for visual media (who do not speak), a kind of novel or comic. But sometimes there is also a film that uses onomatopea for comic effect. For example, films of the 1980s Batman (played by humans) to use the writings of "POW!", "CRUNCH!", Etc.. that suddenly appear to meet the television screen. This is intentional to show the feel of the comic in the film.
PanelIn the comics, means the panel frame (physical limitation) pictures and symbols on a page. A page can consist of one or more panels are placed adjacent or contiguous. Variety of panel shapes: circle, trapezoid, triangle, star, etc.. But generally rectangular shape. The panel serves as a general guideline for the time / space separated. Over time and more space dimensions is described by the contents of the panel, not the panel itself [by Scott McCloud].
AuthorThe general term for the person who creates a written work of fiction, could it be novels, film scripts, television, radio, advertising, etc..
Minggu, 19 Februari 2012
Translate Techniques Screenplay Writing PART 2
Types of Fiction II Film Scenario
Character-driven
As the name suggests, character-driven scenarios using the characters in it to drive the story. For this type, thus the importance of the characters in the scenario that can not be replaced with another character. Unlike the plot-driven scenario for the events where the event came up to the main characters for the sake of storytelling, even the existence of a character that will bring the events. Each character (especially the main character) is appropriate to have a very detailed description, which will become a reference for the occurrence of events, one after another.
If not 100% understand, let's try to create a character that is very detailed:
Anto is a 30-year-old man, scorpio zodiac, homosexuality, love cooking, never going out with a woman once, and thereafter was always going out with other men. He has a phobia against women. Now he is dating Aryo, co-workers. Anto indulgence food is chicken cordon bleu, while the favorite beverage is coffee brewed. Her work is a parking in one of the supermarket. Broadly speaking, Anto sanguinis are melancholy, introverted, and open only to those closest. ff. ff.
These characters will be in vain if we are to make the plot a brutal alien attack, and make Anto died in the attack. Perhaps in these scenes the audience will only get information that there was a man kemayu that scream "help!" before he was shot dead by an alien.
Anto character of the above information, we can make a long film scenario, because the character has been brought before the conflict we need to invent. We can imagine Anto action as a parking dilemma that has to hide his attraction to the same sex, because there has never been a parking gay history is not it? The fact that he was afraid women will also invite a separate plot for supermarket customers mostly women. Anto as the main character will be the axis of development scenarios, and this is a character-driven scenario.
Many people who say that writing ability is a talent. But that does not really write that talent-bakatan?
Muhammad Julius (Iyus)-editor of teen magazine Annida - immediately denied. "What should be done first before writing the same thing is do not believe in talent, because talent is not the revelation of God to men who have been chosen. So everybody has the right to be a writer. "
According Iyus, basically writing, as one of the profession, is the choice of people who want menggelutinya. Writing is not completely finished, the process needed to be able, proficient and professional. To be a writer takes a requirement, one of the most important prerequisite is resilient. First of all our paper may be rejected, for it need to practice constantly. Furthermore, according to Iyus, we need to do benchmarking (comparing with the work of others who have both) so that in time we'll find our own style.
Hardiness-related conditions, in order to be a reliable writer, Joni Ariadinata is exemplary in this figure. Talent in the world to write about Kang Joni did not fully believe.
"Talent is only a small fraction, which is important to learn exactly how our efforts and sincere in the writing profession," says Kang Joni. Mention natural talent Kang Joni said, "There is, as a child had a tendency to like to write, but it is still cultivated by the family, the environment. But without talent can really. "
Joni said Kang never feel desperate times have also published short stories a year, and had thought about quitting. After hundreds of stories submitted and none are loaded, at the point of frustration've decided to stop being a writer and hate writing. But then there is a loaded one and makes the spirit again. And write again, but six months later no longer loaded. At the time of frustration both in the short story turned out to fit on the Compass, and instantly become a champion.
"Work of authorship could not be separated from the effort, it should be ready to face penatnya sitting at a computer all day, straightened up to strike out the sentences that have been prepared for weeks to be replaced with a more effective and striking," commented Ms. Yasmina Fajri Dian-ex Annida magazine editor in chief.
Opinion Mohammed Julius, Joni Ariadinata and Dian Yasmina Fajri can be found in the book "Annida, Sakti Book Writing Fiction". A book intended as a handbook for anyone who wants to start and explore the world of writing. Is a step by step guide how to become a powerful writer of fiction. This book discusses everything from talent, writing constraints, we are marketing a work of fiction, magazine and publisher addresses, to how to create and offer it into the screenplay.
Iyus in this book illustrate the talent, that talent = great effort. This is done by a Linus Suryadi AG, poet Yogya one of his works, prose literature Recognition Pariyem internationally known universe. Before Recognition Pariyem born, Linus is experienced persistent rejection and feelings of failure to interfere. Long before he decided to become a writer Linus felt I had no talent. Ayip columnist Bakr had also rejected the editor up to 20 times. Only in writing to-21, his writings published. Talent = imagination, is Budi Darma, Olenka novelist, said that all that is written in his books is a copy-paste of the imagination are very sensitive to the events he sees every day. His mind often chased the weird imagination. Budi Darma short stories collected in Bloomington People and Olenka novel contains stories that come from his imagination. Talent = prestige, this is the case in Utuy Tatang Sontai. Utuy feel insulted by a neighbor girl who could be a high school while he had not completed Park Adult (junior high). To maintain the prestige he wrote in the paper Pasundan rays. Utuy continue to write simply in order not to feel insulted by her neighbors. He never thought that his decision would make him famous as a great poet in the literary treasures of Indonesia.
Furthermore this book leads us to create a barrier so the bridge. Internal barriers to daiatasi a way, first by setting a good faith determination, not much hope of getting contaminated by fees or royalties. So it takes a straight intention and determination. Second, my eyes are not failing, fear of being wrong, my eyes humiliated, scared or afraid of his work can not be restored as good as anyone else. Third, be confident. By believing that whatever style of writing as we are always able to display things that are useful to others. Fourth, do not be lazy, because lazy is the main factor ketidakproduktifan someone. Fifth, be willing to learn. Being a writer does not have talent, that is needed is a lot of reading, learning from senior writers, learn to write simple things, and learn to observe the environment. Sixth, do not procrastinate, put off writing because it could be a big obstacle for a writer. Should be recorded directly didpat idea, immediately write down the imagination or typed. Do not ignore the inspiration, because when it's missing is likely to be difficult to call him back even forget altogether.
Difficulties in terms of writing techniques should also be eliminated. First, the idea stuck can be solved by writing a personal experience, the experience of others, the news media, books, history, the universe, a dream, and various other phenomena. Second, it is difficult to start, can be overcome by providing up in order to absorb inspiration from anywhere and at any time. Trouble started, according to letikan Arswendo is what makes one writer was intrigued. Third, loss of direction or Ngalor ngidul can be overcome by making a written plan for each of the subject matter does not escape at will. Frank Bannet, American writer, pointed out how as-follows: 1) the characters confronted with one or more issues to be resolved. 2) create a logical solution of the problem. 3) create a cover story. 4) write an opening paragraph or two that interest. 5) and then stacking the plot, the setting up scenes and incidents in a way the character's resolve maslahnya. The various plots of the blast plot (ending with an unexpected surprise), the plot of soft (end of the story like a whisper or low expression), plot a soft burst (a mixture of soft and explosions), the plot is open (the reader is stimulated to develop the story by thinking of each ), or the plot is closed (the end of the story does not stimulate the reader to not continue the storyline). Fourth, the difficulty to build conflict and suspense. Story without conflict is like vegetables without seasoning. The story must contain conflict. Difference between the character and interests of others, nature, bitang, or his own mind could be a conflict. Conflict over the conflict is called suspense or tension. The story becomes more exciting with the tension. Fifth, it can not end the writing, too overcome by making essay plans. End of story should be finished by giving the impression that, so that the reader feels the story will not be any conflict anymore. Can be a happy ending (happy ending) or tragic (sad ending), or ending a floating, adrift, so that the reader is left not satisfied as if there is another ending that should happen.
External barriers include lack of facilities and infrastructure to overcome the buoyant spirit and strong desire. Should dare to accept criticism, harsh or soft, considered as input. Which could not be completed manuscript often frustrating, then finish writing the effort and prayer (remember 1% talent and 99% is the help of God). If I'm bored; put an end to work, relax by sleeping, reading the works of great writers, or a breath of fresh air. Writing is not worth unloading, to look for reasons why his writings have been rejected, among others: the unpleasant appearance, do not pay attention to punctuation, not in accordance with the vision and mission of the media, story ideas are too often loaded, not according to circumstances and conditions, or have not mastered the technique writing (conflict, characterizations, setting the story, and not worked in an interesting ending. Finally do not think professional writers as madesu (bleak future). Because writing is a noble and a very effective means of propaganda.
This book also features writing tips written by Rahmadiayanti (Dee). The trick is in reading = power, Mengutif of Ismail Marahimin in Writing By Popular Dee writes that reading gives 'power within' that needed a writer. Copy the master, mimicking the famous author's work as an exercise in copying the frame, the idea, method or technique (as an exercise only). Starting from near and simple, like JK Rowling author of Harry Potter phenomenon, claiming the characters in his work inspired many of the people who have dala life. Diaries and korenpondensi, great for exercise. Inquiry and do not give up and finally Dee prescribe writing is writing is writing ....
Not to forget Helvy Tiana Rosa also share 10 tips to write in this book. First, the motivation to make the best (not just want his work published, or have the book). Second, diligently observe everything, because writing is like a photograph or painting, so need to watch it before pouring it into the post. Third, many read the book (in a week is always trying to read the three types of books, literature, general knowledge and Islamic books). Fourth, write an experienced dream last night, helping to source ideas. Fifth, have a small book to record what is being crossed. Sixth, often open a dictionary to explore language, diction, and so that will help enrich the text. Seventh, take advantage of past experience is not good. Eighth, a lot of talk and hang out with other writers. Ninth, do not hesitate to submit work. Tenth, continuous exercise. Practice makes perfect slogan applies not just for beginners but also for authors who have really become a writer.
Many more are contained in this book as about honing skills in the community of authorship; biological clock that you write your best guess; that success with his work (from Asma Nadia, Hilman 'Lupus' Hariwijaya, Barbara Cartlan, and JK Rowling), so the authors' jos 'with the ethos; through the awesomeness of the media; finished writing, come a great book; specify the type of writing and reader segments: the different types of writing; legends, fables and myths; fable that continues to hum; royali and calculation problems; about copyright; their work affects world; profile of a young writer (Christopher 'Eragon' Paolini, Eliza Vitri Handayani 'AreaX', Syamsa Eve 'VCD Girl', Adzimatinnur Siregar 'Cover Boy Lemot'); cut is not important; books were rewritten; editor beautify your work; world even acknowledge them, and last, literary awards, just for the dedicated.
This comprehensive book written to meet the curiosity of the reader on questions related to writing fiction. So it deserves to be read by the author or prospective author, young and old regardless of the language used is sometimes too meremaja. This is probably due to this book was probably intended for a young reader segment is keen to work in his fictional world.
Character-driven
As the name suggests, character-driven scenarios using the characters in it to drive the story. For this type, thus the importance of the characters in the scenario that can not be replaced with another character. Unlike the plot-driven scenario for the events where the event came up to the main characters for the sake of storytelling, even the existence of a character that will bring the events. Each character (especially the main character) is appropriate to have a very detailed description, which will become a reference for the occurrence of events, one after another.
If not 100% understand, let's try to create a character that is very detailed:
Anto is a 30-year-old man, scorpio zodiac, homosexuality, love cooking, never going out with a woman once, and thereafter was always going out with other men. He has a phobia against women. Now he is dating Aryo, co-workers. Anto indulgence food is chicken cordon bleu, while the favorite beverage is coffee brewed. Her work is a parking in one of the supermarket. Broadly speaking, Anto sanguinis are melancholy, introverted, and open only to those closest. ff. ff.
These characters will be in vain if we are to make the plot a brutal alien attack, and make Anto died in the attack. Perhaps in these scenes the audience will only get information that there was a man kemayu that scream "help!" before he was shot dead by an alien.
Anto character of the above information, we can make a long film scenario, because the character has been brought before the conflict we need to invent. We can imagine Anto action as a parking dilemma that has to hide his attraction to the same sex, because there has never been a parking gay history is not it? The fact that he was afraid women will also invite a separate plot for supermarket customers mostly women. Anto as the main character will be the axis of development scenarios, and this is a character-driven scenario.
Many people who say that writing ability is a talent. But that does not really write that talent-bakatan?
Muhammad Julius (Iyus)-editor of teen magazine Annida - immediately denied. "What should be done first before writing the same thing is do not believe in talent, because talent is not the revelation of God to men who have been chosen. So everybody has the right to be a writer. "
According Iyus, basically writing, as one of the profession, is the choice of people who want menggelutinya. Writing is not completely finished, the process needed to be able, proficient and professional. To be a writer takes a requirement, one of the most important prerequisite is resilient. First of all our paper may be rejected, for it need to practice constantly. Furthermore, according to Iyus, we need to do benchmarking (comparing with the work of others who have both) so that in time we'll find our own style.
Hardiness-related conditions, in order to be a reliable writer, Joni Ariadinata is exemplary in this figure. Talent in the world to write about Kang Joni did not fully believe.
"Talent is only a small fraction, which is important to learn exactly how our efforts and sincere in the writing profession," says Kang Joni. Mention natural talent Kang Joni said, "There is, as a child had a tendency to like to write, but it is still cultivated by the family, the environment. But without talent can really. "
Joni said Kang never feel desperate times have also published short stories a year, and had thought about quitting. After hundreds of stories submitted and none are loaded, at the point of frustration've decided to stop being a writer and hate writing. But then there is a loaded one and makes the spirit again. And write again, but six months later no longer loaded. At the time of frustration both in the short story turned out to fit on the Compass, and instantly become a champion.
"Work of authorship could not be separated from the effort, it should be ready to face penatnya sitting at a computer all day, straightened up to strike out the sentences that have been prepared for weeks to be replaced with a more effective and striking," commented Ms. Yasmina Fajri Dian-ex Annida magazine editor in chief.
Opinion Mohammed Julius, Joni Ariadinata and Dian Yasmina Fajri can be found in the book "Annida, Sakti Book Writing Fiction". A book intended as a handbook for anyone who wants to start and explore the world of writing. Is a step by step guide how to become a powerful writer of fiction. This book discusses everything from talent, writing constraints, we are marketing a work of fiction, magazine and publisher addresses, to how to create and offer it into the screenplay.
Iyus in this book illustrate the talent, that talent = great effort. This is done by a Linus Suryadi AG, poet Yogya one of his works, prose literature Recognition Pariyem internationally known universe. Before Recognition Pariyem born, Linus is experienced persistent rejection and feelings of failure to interfere. Long before he decided to become a writer Linus felt I had no talent. Ayip columnist Bakr had also rejected the editor up to 20 times. Only in writing to-21, his writings published. Talent = imagination, is Budi Darma, Olenka novelist, said that all that is written in his books is a copy-paste of the imagination are very sensitive to the events he sees every day. His mind often chased the weird imagination. Budi Darma short stories collected in Bloomington People and Olenka novel contains stories that come from his imagination. Talent = prestige, this is the case in Utuy Tatang Sontai. Utuy feel insulted by a neighbor girl who could be a high school while he had not completed Park Adult (junior high). To maintain the prestige he wrote in the paper Pasundan rays. Utuy continue to write simply in order not to feel insulted by her neighbors. He never thought that his decision would make him famous as a great poet in the literary treasures of Indonesia.
Furthermore this book leads us to create a barrier so the bridge. Internal barriers to daiatasi a way, first by setting a good faith determination, not much hope of getting contaminated by fees or royalties. So it takes a straight intention and determination. Second, my eyes are not failing, fear of being wrong, my eyes humiliated, scared or afraid of his work can not be restored as good as anyone else. Third, be confident. By believing that whatever style of writing as we are always able to display things that are useful to others. Fourth, do not be lazy, because lazy is the main factor ketidakproduktifan someone. Fifth, be willing to learn. Being a writer does not have talent, that is needed is a lot of reading, learning from senior writers, learn to write simple things, and learn to observe the environment. Sixth, do not procrastinate, put off writing because it could be a big obstacle for a writer. Should be recorded directly didpat idea, immediately write down the imagination or typed. Do not ignore the inspiration, because when it's missing is likely to be difficult to call him back even forget altogether.
Difficulties in terms of writing techniques should also be eliminated. First, the idea stuck can be solved by writing a personal experience, the experience of others, the news media, books, history, the universe, a dream, and various other phenomena. Second, it is difficult to start, can be overcome by providing up in order to absorb inspiration from anywhere and at any time. Trouble started, according to letikan Arswendo is what makes one writer was intrigued. Third, loss of direction or Ngalor ngidul can be overcome by making a written plan for each of the subject matter does not escape at will. Frank Bannet, American writer, pointed out how as-follows: 1) the characters confronted with one or more issues to be resolved. 2) create a logical solution of the problem. 3) create a cover story. 4) write an opening paragraph or two that interest. 5) and then stacking the plot, the setting up scenes and incidents in a way the character's resolve maslahnya. The various plots of the blast plot (ending with an unexpected surprise), the plot of soft (end of the story like a whisper or low expression), plot a soft burst (a mixture of soft and explosions), the plot is open (the reader is stimulated to develop the story by thinking of each ), or the plot is closed (the end of the story does not stimulate the reader to not continue the storyline). Fourth, the difficulty to build conflict and suspense. Story without conflict is like vegetables without seasoning. The story must contain conflict. Difference between the character and interests of others, nature, bitang, or his own mind could be a conflict. Conflict over the conflict is called suspense or tension. The story becomes more exciting with the tension. Fifth, it can not end the writing, too overcome by making essay plans. End of story should be finished by giving the impression that, so that the reader feels the story will not be any conflict anymore. Can be a happy ending (happy ending) or tragic (sad ending), or ending a floating, adrift, so that the reader is left not satisfied as if there is another ending that should happen.
External barriers include lack of facilities and infrastructure to overcome the buoyant spirit and strong desire. Should dare to accept criticism, harsh or soft, considered as input. Which could not be completed manuscript often frustrating, then finish writing the effort and prayer (remember 1% talent and 99% is the help of God). If I'm bored; put an end to work, relax by sleeping, reading the works of great writers, or a breath of fresh air. Writing is not worth unloading, to look for reasons why his writings have been rejected, among others: the unpleasant appearance, do not pay attention to punctuation, not in accordance with the vision and mission of the media, story ideas are too often loaded, not according to circumstances and conditions, or have not mastered the technique writing (conflict, characterizations, setting the story, and not worked in an interesting ending. Finally do not think professional writers as madesu (bleak future). Because writing is a noble and a very effective means of propaganda.
This book also features writing tips written by Rahmadiayanti (Dee). The trick is in reading = power, Mengutif of Ismail Marahimin in Writing By Popular Dee writes that reading gives 'power within' that needed a writer. Copy the master, mimicking the famous author's work as an exercise in copying the frame, the idea, method or technique (as an exercise only). Starting from near and simple, like JK Rowling author of Harry Potter phenomenon, claiming the characters in his work inspired many of the people who have dala life. Diaries and korenpondensi, great for exercise. Inquiry and do not give up and finally Dee prescribe writing is writing is writing ....
Not to forget Helvy Tiana Rosa also share 10 tips to write in this book. First, the motivation to make the best (not just want his work published, or have the book). Second, diligently observe everything, because writing is like a photograph or painting, so need to watch it before pouring it into the post. Third, many read the book (in a week is always trying to read the three types of books, literature, general knowledge and Islamic books). Fourth, write an experienced dream last night, helping to source ideas. Fifth, have a small book to record what is being crossed. Sixth, often open a dictionary to explore language, diction, and so that will help enrich the text. Seventh, take advantage of past experience is not good. Eighth, a lot of talk and hang out with other writers. Ninth, do not hesitate to submit work. Tenth, continuous exercise. Practice makes perfect slogan applies not just for beginners but also for authors who have really become a writer.
Many more are contained in this book as about honing skills in the community of authorship; biological clock that you write your best guess; that success with his work (from Asma Nadia, Hilman 'Lupus' Hariwijaya, Barbara Cartlan, and JK Rowling), so the authors' jos 'with the ethos; through the awesomeness of the media; finished writing, come a great book; specify the type of writing and reader segments: the different types of writing; legends, fables and myths; fable that continues to hum; royali and calculation problems; about copyright; their work affects world; profile of a young writer (Christopher 'Eragon' Paolini, Eliza Vitri Handayani 'AreaX', Syamsa Eve 'VCD Girl', Adzimatinnur Siregar 'Cover Boy Lemot'); cut is not important; books were rewritten; editor beautify your work; world even acknowledge them, and last, literary awards, just for the dedicated.
This comprehensive book written to meet the curiosity of the reader on questions related to writing fiction. So it deserves to be read by the author or prospective author, young and old regardless of the language used is sometimes too meremaja. This is probably due to this book was probably intended for a young reader segment is keen to work in his fictional world.
Techniques Screenplay Writing PART 1
Techniques Screenplay Writing Fiction
The meaning of fiction itself is a work of literature that reveals the reality of life in order to develop the imagination.
There are two kinds of fiction:
A. Imaginative fiction ---> based on imagination2. Science fiction ---> based on scientific analysis
* Nature of fiction- Anything that can not be verified is expressed in daily life, is speculative (not engineering know).
- All the characters, setting and subject matter is imaginative rather than objective reality.
- Truth is going on in fiction is not the objective truth, but truth is the truth that there are logical in reasoning.
- other people who live in the reality of everyday involved in all aspects of the life of fictional characterizations are able to influence and shape the nature and attitudes of readers, listeners, viewers.
- Truth logical cause any fiction fiction is always multy interpretable, which means that any readers, listeners, viewers have a commentary.
* Intrinsic element of fiction:A. Theme: an issue that animates the whole story. The theme is lifted from the conflict of life.
2. Plot: the basic story: the development of the story.
3. Plot: a series of storiesIn line connection can figure that the meeting focused on a single character, or characters that walk masing2 tenuous.Flow processes can be developed; backward, or forward and backward.Chronology of settlement there is no plot line and anti-climactic climax.
4. Setting: the scene of the story, divided into:- Geographical setting ----> the place where the incident took place- Setting anthropological ----> events related to the situation, psychological mindset, customs and traditions.
5. Characterizations character is described as the main character (protagonist), a character who opposed (antagonistic), or auxiliary character - but this is not the PRT
some people give a present can figure how to do directly with the description, describes the personal character, or indirectly by way of dialogue between characters.in fields figures should be drawn:- The field looks: gesture, expression, clothing, personal possessions, etc.- The field is not visible: the motive of the drive / desire, psychic form of psychological changes, feelings, and religiosity.
6. Point of view: the underlying theme and purpose of writing
Penghadiran able to:
- The first person ---> author as one of the characters involved
- Third-person style ---> author department to know what happened but was not involved in the story.
7. Atmosphere: The underlying story is the atmosphere of the characterizations due to differences in character, giving rise to conflict. Authors dealing with the conflict with the atmosphere of sad, poignant, challenging, fun, or inspiring.
All these points should be presented in full, so whether it be fiction short stories, novels, plays, film scenarios / soap opera so that readers, listeners, viewers have the imaginative power; have a commentary about the character, atmosphere, etc., to the work of fiction.
Do not forget: theme, plot, plot, and setting should also be clear that a work of fiction benar2 intact as a work of art is not a mere outpouring of the heart (like a diary).
The meaning of fiction itself is a work of literature that reveals the reality of life in order to develop the imagination.
There are two kinds of fiction:
A. Imaginative fiction ---> based on imagination2. Science fiction ---> based on scientific analysis
* Nature of fiction- Anything that can not be verified is expressed in daily life, is speculative (not engineering know).
- All the characters, setting and subject matter is imaginative rather than objective reality.
- Truth is going on in fiction is not the objective truth, but truth is the truth that there are logical in reasoning.
- other people who live in the reality of everyday involved in all aspects of the life of fictional characterizations are able to influence and shape the nature and attitudes of readers, listeners, viewers.
- Truth logical cause any fiction fiction is always multy interpretable, which means that any readers, listeners, viewers have a commentary.
* Intrinsic element of fiction:A. Theme: an issue that animates the whole story. The theme is lifted from the conflict of life.
2. Plot: the basic story: the development of the story.
3. Plot: a series of storiesIn line connection can figure that the meeting focused on a single character, or characters that walk masing2 tenuous.Flow processes can be developed; backward, or forward and backward.Chronology of settlement there is no plot line and anti-climactic climax.
4. Setting: the scene of the story, divided into:- Geographical setting ----> the place where the incident took place- Setting anthropological ----> events related to the situation, psychological mindset, customs and traditions.
5. Characterizations character is described as the main character (protagonist), a character who opposed (antagonistic), or auxiliary character - but this is not the PRT
some people give a present can figure how to do directly with the description, describes the personal character, or indirectly by way of dialogue between characters.in fields figures should be drawn:- The field looks: gesture, expression, clothing, personal possessions, etc.- The field is not visible: the motive of the drive / desire, psychic form of psychological changes, feelings, and religiosity.
6. Point of view: the underlying theme and purpose of writing
Penghadiran able to:
- The first person ---> author as one of the characters involved
- Third-person style ---> author department to know what happened but was not involved in the story.
7. Atmosphere: The underlying story is the atmosphere of the characterizations due to differences in character, giving rise to conflict. Authors dealing with the conflict with the atmosphere of sad, poignant, challenging, fun, or inspiring.
All these points should be presented in full, so whether it be fiction short stories, novels, plays, film scenarios / soap opera so that readers, listeners, viewers have the imaginative power; have a commentary about the character, atmosphere, etc., to the work of fiction.
Do not forget: theme, plot, plot, and setting should also be clear that a work of fiction benar2 intact as a work of art is not a mere outpouring of the heart (like a diary).
Now I don't really care what you call me
You can even call me cold
These bitches knew as soon as they saw me
It's never me that'll get the privilege to know 'em
I roll like a desperado, now I never know where I'm gonna go
Still I ball like there's no tomorrow
Until it's over and that's all she wrote
You're starin' straight into a barrel of hate, terrible fate
Not even a slim chance to make a narrow escape
Cupid shot his arrow and missed, wait Sarah you're late
Your train left Mascara and eggs smear on your face
Night's over, good bye ho I thought that I told ya
That spilled nut ain't nothing to cry over
Never should've came within range of my Rover
Should've known I was trouble soon as I rolled up
Any chick who's dumb enough after I blindfold her
To still come back to the crib
Must want me to mess with her mind, hold up
She mistook me for some high roller, well I won't buy her soda
Unless it's Rock & Rye Cola (Faygo's cheaper)
Buy you a bag of Fritos?
I wouldn't let you eat the fuckin' chip on my shoulder
If you was bleach and I was hair I wouldn't die for ya
Trying to pull five bucks from me is like trying to pull five molars
You'll get your eyes swoll up, I'm on my straight grizzly
So why would I buy you a gay ass teddy bear bitch? you're already bi-polar!
Man TIP told me on this ho tip, best tip I could give you to help you
Is never to let these tricks trick you
Mighty ambiguous of you to think I love slut, shit
Dig you a hole? Take the shovel and dig you some dignity, bitch
Shit you talk about some advice that sticks with you
If I should listen to anyone, tell me to stick to my guns
Like double stick it's you, but fuck ‘em TIP, it's cool
I'm chilling like a villain like the penguin in its fucking igloo eating fudgesicles
I’d rather slip and fall in shit than fall in love with you
Before I tie a fucking knot I’d tie you in one bitch
You think this is some Nintendo game how fucking dumb is you
I’ll give you some mumps before I split some lump sum’s with you
So here’s a penny for your thoughts
But it won’t buy you a cheeseburger
But a nickel might just get you one pickle
Fuck it, it's official so blow the whistle I got a trust issue
There's a bombshell, scud missile
Like I just cuss at you to fucking cuss at you
Like before I rapped I was a motherfucking stud
Slut, this will teach you not to come drunk, stumbling my way for shizzle
I still live like I bought you the Gilbert's Lodge checks stub bizzle
So fuck Sizzler these checkers are bust like a blood blister
Yeah I guess life is a bitch, ain’t it TIP? And each one thinks they the shit
Shirt off my back ? I wouldn't give you the dirt off my handkerchief
I’m givin' these hoes a dose of their own medicine
Let em get a good taste of it
I’m sure you got that relationship memo by now, but in case you didn't
I’ll stick this whole pad full of sticky notes to your forehead and staple it
Life is too short and I got no time to sit around just wastin' it
So I pace this shit a little bit quicker, that clock I'm racin' it
Double timin it', but I still spit triple the amount
Of insults in a tenth of the time that it may take you pricks
To catch on, while you strong arm like Stretch Armstrong
Man I still say K-mart's like there's an apostrophe "S" on it dog
And they say McDonalds isn’t a restaurant, well I guess I’m wrong
But if you gonna tell me that A&W ain't the spot for the best hot dogs
You can get the “F” on dawg
I said it's over and that's all she wroteAll she wrote, all she wrote
Ya, goodnight it’s over, and that's all she wrote
You can even call me cold
These bitches knew as soon as they saw me
It's never me that'll get the privilege to know 'em
I roll like a desperado, now I never know where I'm gonna go
Still I ball like there's no tomorrow
Until it's over and that's all she wrote
You're starin' straight into a barrel of hate, terrible fate
Not even a slim chance to make a narrow escape
Cupid shot his arrow and missed, wait Sarah you're late
Your train left Mascara and eggs smear on your face
Night's over, good bye ho I thought that I told ya
That spilled nut ain't nothing to cry over
Never should've came within range of my Rover
Should've known I was trouble soon as I rolled up
Any chick who's dumb enough after I blindfold her
To still come back to the crib
Must want me to mess with her mind, hold up
She mistook me for some high roller, well I won't buy her soda
Unless it's Rock & Rye Cola (Faygo's cheaper)
Buy you a bag of Fritos?
I wouldn't let you eat the fuckin' chip on my shoulder
If you was bleach and I was hair I wouldn't die for ya
Trying to pull five bucks from me is like trying to pull five molars
You'll get your eyes swoll up, I'm on my straight grizzly
So why would I buy you a gay ass teddy bear bitch? you're already bi-polar!
Man TIP told me on this ho tip, best tip I could give you to help you
Is never to let these tricks trick you
Mighty ambiguous of you to think I love slut, shit
Dig you a hole? Take the shovel and dig you some dignity, bitch
Shit you talk about some advice that sticks with you
If I should listen to anyone, tell me to stick to my guns
Like double stick it's you, but fuck ‘em TIP, it's cool
I'm chilling like a villain like the penguin in its fucking igloo eating fudgesicles
I’d rather slip and fall in shit than fall in love with you
Before I tie a fucking knot I’d tie you in one bitch
You think this is some Nintendo game how fucking dumb is you
I’ll give you some mumps before I split some lump sum’s with you
So here’s a penny for your thoughts
But it won’t buy you a cheeseburger
But a nickel might just get you one pickle
Fuck it, it's official so blow the whistle I got a trust issue
There's a bombshell, scud missile
Like I just cuss at you to fucking cuss at you
Like before I rapped I was a motherfucking stud
Slut, this will teach you not to come drunk, stumbling my way for shizzle
I still live like I bought you the Gilbert's Lodge checks stub bizzle
So fuck Sizzler these checkers are bust like a blood blister
Yeah I guess life is a bitch, ain’t it TIP? And each one thinks they the shit
Shirt off my back ? I wouldn't give you the dirt off my handkerchief
I’m givin' these hoes a dose of their own medicine
Let em get a good taste of it
I’m sure you got that relationship memo by now, but in case you didn't
I’ll stick this whole pad full of sticky notes to your forehead and staple it
Life is too short and I got no time to sit around just wastin' it
So I pace this shit a little bit quicker, that clock I'm racin' it
Double timin it', but I still spit triple the amount
Of insults in a tenth of the time that it may take you pricks
To catch on, while you strong arm like Stretch Armstrong
Man I still say K-mart's like there's an apostrophe "S" on it dog
And they say McDonalds isn’t a restaurant, well I guess I’m wrong
But if you gonna tell me that A&W ain't the spot for the best hot dogs
You can get the “F” on dawg
I said it's over and that's all she wroteAll she wrote, all she wrote
Ya, goodnight it’s over, and that's all she wrote
JACK GOTTA CHRISTMAS
Vampires
Something's up with Jack
Something's up with Jack
Don't know if we're ever going to get him back
Werewolf
He's all alone up there
Locked away inside
Mother corpse
Never says a word
Child Corpse
Hope he hasn't died
Citizens of Halloween Town
Something's up with Jack
Something's up with Jack
JACK
Christmas time is buzzing in my skull
Will it let me be? I cannot tell
There are so many things I cannot grasp
When I think I've got it, and then at last
Through my bony fingers it does slip
Like a snowflake in a fiery grip
Something's here I'm not quite getting
Though I try, I keep forgetting
Like a memory long since past
Here in an instant, gone in a flash
What does it mean?
What does it mean?
In these little bric-a-brac
A secret's waiting to be cracked
These dolls and toys confuse me so
Confound it all, I love it though
Simple objects, nothing more
But something's hidden through a door
Though I do not have the key
Something's there I cannot see
What does it mean?
What does it mean?
What does it mean?
Hmm...
I've read these Christmas books so many times
I know the stories and I know the rhymes
I know the Christmas carols all by heart
My skull's so full, it's tearing me apart
As often as I've read them, something's wrong
So hard to put my bony finger on
Or perhaps it's really not as deep
As I've been led to think
Am I trying much too hard?
Of course! I've been too close to see
The answer's right in front of me
Right in front of me
It's simple really, very clear
Like music drifting in the air
Invisible, but everywhere
Just because I cannot see it
Doesn't mean I can't believe it
You know, I think this Christmas thing
It's not as tricky as it seems
And why should they have all the fun?
It should belong to anyone
Not anyone, in fact, but me
Why, I could make a Christmas tree
And there's no reason I can find
I couldn't handle Christmas time
I bet I could improve it too
And that's exactly what I'll do
Hee,hee,hee
Eureka! I've got it
Something's up with Jack
Something's up with Jack
Don't know if we're ever going to get him back
Werewolf
He's all alone up there
Locked away inside
Mother corpse
Never says a word
Child Corpse
Hope he hasn't died
Citizens of Halloween Town
Something's up with Jack
Something's up with Jack
JACK
Christmas time is buzzing in my skull
Will it let me be? I cannot tell
There are so many things I cannot grasp
When I think I've got it, and then at last
Through my bony fingers it does slip
Like a snowflake in a fiery grip
Something's here I'm not quite getting
Though I try, I keep forgetting
Like a memory long since past
Here in an instant, gone in a flash
What does it mean?
What does it mean?
In these little bric-a-brac
A secret's waiting to be cracked
These dolls and toys confuse me so
Confound it all, I love it though
Simple objects, nothing more
But something's hidden through a door
Though I do not have the key
Something's there I cannot see
What does it mean?
What does it mean?
What does it mean?
Hmm...
I've read these Christmas books so many times
I know the stories and I know the rhymes
I know the Christmas carols all by heart
My skull's so full, it's tearing me apart
As often as I've read them, something's wrong
So hard to put my bony finger on
Or perhaps it's really not as deep
As I've been led to think
Am I trying much too hard?
Of course! I've been too close to see
The answer's right in front of me
Right in front of me
It's simple really, very clear
Like music drifting in the air
Invisible, but everywhere
Just because I cannot see it
Doesn't mean I can't believe it
You know, I think this Christmas thing
It's not as tricky as it seems
And why should they have all the fun?
It should belong to anyone
Not anyone, in fact, but me
Why, I could make a Christmas tree
And there's no reason I can find
I couldn't handle Christmas time
I bet I could improve it too
And that's exactly what I'll do
Hee,hee,hee
Eureka! I've got it
Sun rays come down as seen when they hit the ground,
Children spinning around till they fall down
I wait for you: it's been two hours now
You're still somewhere in town
Your dinners getting cold.
I rest my case you are always this late
And you know how much I hate waiting around
Bitter heart, bitter heart tries to keep it all inside
shadows will help you try to hide
my bitter heart is gettin' just a little fragile
And then you come and tell me the same reason as you did yesterday,
So tell me whats her name.
Bitter heart, bitter heart tries to keep it all inside
Bitter heart, bitter heart shadows will help you try to hide,
Bitter heart, my bitter heart is just getting a little fragile,
Bitter heart, bitter heart of mine
Children spinning around till they fall down
I wait for you: it's been two hours now
You're still somewhere in town
Your dinners getting cold.
I rest my case you are always this late
And you know how much I hate waiting around
Bitter heart, bitter heart tries to keep it all inside
shadows will help you try to hide
my bitter heart is gettin' just a little fragile
And then you come and tell me the same reason as you did yesterday,
So tell me whats her name.
Bitter heart, bitter heart tries to keep it all inside
Bitter heart, bitter heart shadows will help you try to hide,
Bitter heart, my bitter heart is just getting a little fragile,
Bitter heart, bitter heart of mine
I always needed time on my own
I never thought I'd need you there when I cry
And the days feel like years when I'm alone
And the bed where you lie
is made up on your side
When you walk away
I count the steps that you take
Do you see how much I need you right now?
I've never felt this way before
Everything that I do
Reminds me of you
And the clothes you left
they lie on my floor
And they smell just like you
I love the things that you do
We were made for each other
Out here forever
I know we were
All I ever wanted was for you to know
Everything I do I give my heart and soul
I can hardly breathe, I need to feel you here with me
When you're gone
The pieces of my heart are missing you
The face I came to know is missing too
The words I need to hear will always get me through the day
And make it OK
I miss you
I never thought I'd need you there when I cry
And the days feel like years when I'm alone
And the bed where you lie
is made up on your side
When you walk away
I count the steps that you take
Do you see how much I need you right now?
I've never felt this way before
Everything that I do
Reminds me of you
And the clothes you left
they lie on my floor
And they smell just like you
I love the things that you do
We were made for each other
Out here forever
I know we were
All I ever wanted was for you to know
Everything I do I give my heart and soul
I can hardly breathe, I need to feel you here with me
When you're gone
The pieces of my heart are missing you
The face I came to know is missing too
The words I need to hear will always get me through the day
And make it OK
I miss you
Langganan:
Postingan (Atom)